Título original: The Last Run
País:
EEUU

Primera proyección: EEUU, 7 Jul. 1971
Duración:
95 min.
Director:
Richard Fleischer

Guión: Alan Sharp
Música: Jerry Goldsmith
Género: Acción. Thriller.
Reparto: George C. ScottTony MusanteTrish Van DevereColleen DewhurstAldo SambrellAntonio TarruellaRobert Coleby

“[…] Sin ser una de las grandes no merece el angustioso olvido al que está sujeta, pues sopone un notable entretenimiento […]”

Tras nueve años retirado, Harry Garmes (George C. Scott), un gángster americano afincado en España, se dispone a realizar un nuevo encargo que recibe con entusiasmo y desea cumplir con el mayor de los éxitos: deberá ayudar a un delincuente fugado de prisión y a su novia a escapar desde España -donde se ruedan la totalidad de las escenas de la cinta- a Francia, sorteando todos los imprevistos que no entraban en los planes de ninguno, tales como escapar de una peligrosa banda criminal mientras intentan pasar desapercibidos ante los ojos de los cuerpos policiales españoles, franceses y portugueses.

Paul Rickard (Tony Musante) y su preciosa chica, Claudie (Trish Van Devere), forman la fugitiva pareja a la que ayudará Garmes, quien recibirá el desprecio del primero y la amabilidad y comprensión de la segunda. Rickard se muestra con una personalidad detestable por lo inmaduro de la misma, dando la sensación de estar poseído de una falta de sentimientos innata y ofreciendo lo peor de sí mismo desde su prepotencia e indiferencia. Claudie, a pesar de exhibirse como una persona más cercana, atenta e incluso dulce, no deja de estar influenciada por el amor de su pareja, Rickard.

Y mientras, kilómetros de carretera siendo recorridos en el BMW 503 modelo de 1956 modificado que conduce Harry Garmes bajo un sol generoso y sobre suelo español, rodeado de esperanzas entre su bien disimulada desolación. Un personaje magistralmente interpretado por un gran George C. Scott (“Patton“, 1970, “El detective y la doctora“, 1971) que se convierte en el mejor estímulo para ver esta película, que sin ser una de las grandes no merece el angustioso olvido al que está sujeta, pues supone un notable entretenimiento ofrecido desde la dirección de Richard Fleischer (“Tora! Tora! Tora!“, 1970) y una de las mejores bandas sonoras que le recuerdo a Jerry Goldsmith junto a la que creó para “Papillon” (1973).

Una de mis películas favoritas a pesar de sus ligeras y convencionales apariencias y sin duda una de las interpretaciones más destacadas de George C. Scott.

Nota del autor:
8,0
████████ (Muy buena)
Promedio de notas:
6,7
██████ (Correcta)
Filmaffinity: 6,3 | CINEol: – | IMDB: 6,0 | LGEcine: 8,0


Written by Sandro Fiorito

Director general de LGEcine

Comments

3 Comments

Milad

from the typewriter of one Alan Sharp, whose feuatre debut, 1971’s The Last Run, was discussed in the first The Classical, and which, I would be remiss not to mention, is now available on Warners On-Demand, whose monthly

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